Search results
Pages
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Title
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The Bridge, 1984 November
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Description
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The Bridge is the student newspaper of LaGuardia Community College. Following Fiorello's Flute, it started in 1982 and continues to run today
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Subjects
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, Reagan, Ronald, Ford Foundation, Campus Safety, Student Government, Shenker, Joseph, IDNCY, Nicaragua, Soviet Union, Marcos, Ferdinand E., Dance Festival, Dean's List, E-Building, Urban Studies, LaGuardia and Wagner Archives, Counseling
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Publisher
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LaGuardia Community College (Long Island City, NY)
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Title
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In Transit, v.3, Fall 2008
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Description
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In Transit The LaGuardia Journal on Teaching and Learning, Fall 2008, v.3
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Subjects
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Education--Immigrants, English language--Study and teaching--Foreign speakers, ePortfolio, College Now, Education, Cooperative, Education (Continuing education), Nursing--Study and teaching (Associate degree), Cultural pluralism, Bukowski, Charles, Creative writing (Higher education), Young, Susan
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Publisher
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LaGuardia Community College
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Title
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In Transit, v.5, Spring 2011
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Description
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In Transit The LaGuardia Journal on Teaching and Learning, Spring 2011, v.5
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Subjects
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Sociology, Animal health technology, Community colleges, Culture jamming, Web Radio, Mathematics--Study and teaching, Talmadge, Rosemary
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Publisher
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LaGuardia Community College
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Title
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Perspective, 1989 January
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Description
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Perspective was a newsletter published every two weeks to keep the campus informed about current activities. It ran from 1972 to the 1990's.
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Subjects
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E-Building, Tradition Dinner, LaGuardia Lecture Series, Business Computer Major, Enrollment, Groundbreaking, Construction, Hurricane Gilbert Relief Drive, External Affairs, Center for Business Careers and Values, LaGuardia and Wagner Archives, Horn, Dan, Shenker, Joseph, Moed, Martin
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Title
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The Door by Rene Sing Brooks
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Description
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An experimental film created by René Sing Brooks. This piece was the final project in (Lecturer) Thomas Seymour's Video Production class this Spring II semester. The artist statement is below. Growing up under the back then kerosene lamp nights of Bluefields, a small city on the Caribbean coast of Nicaragua, had a strong influence on my film and writing sensibilities. My Caribbean childhood and early adolescence have nurtured a lifelong concern with time, memory and personal/communal story, which is reflected in most of my work to date. I have been a digital filmmaker for nearly nine years, mostly as a short form documentarian covering issues of justice system involved individuals and of other community protagonists—mainly fellow artists—dedicated to social-justice struggles. Although my artistic sensibility is significantly shaped by socio-political concerns, this does not preclude the aesthetic exploration of filmmaking’s form and structure for implications beyond—or beneath—the “message”, which in my case draws from dream textures and narrative flows derived from Nicaragua’s African, aboriginal and mestizo magical imaginings. Along the road, I have gathered influences from Béla Tarr, Andrei Tarkovsky and Chris Marker, among others. These creators deftly explore the relationship of form, structure, tempo and meaning, an exploration that is at the heart of my creative concerns and that guides my efforts to develop a personal voice that isn’t alienated from the visual and narrative syntax of my evolving communal experiencing.
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Subjects
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The Door, Brooks, Rene Sing
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